Oct 16, 1854 - Nov 30, 1900
was an Irish writer and poet
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Art should never be popular.
What you really are is a Bunburyist. I was quite right in saying you were a Bunburyist. You are one of the most advanced Bunburyists I know.
The simplicity of your character makes you exquisitely incomprehensible to me.
When good Americans die, they go to Paris\' \'Where do bad Americans go?\' \'They stay in America
Yes, very sensible... People die of common sense, Dorian, one lost moment at a time. Life is a moment. There is no hereafter. So make it burn always with the hardest flame.
I didn't say I liked it Harry. I said it fascinated me. There is a great difference.
God and other artists are always a little obscure.....
The people who have adored me-- there have not been very many, but there have been some-- have always insisted on living on, long after I had ceased to care for them, or they to care for me.
It is chiefly, I regret to say, through journalism that such people find expression. I regret it because there is much to be said in favour of modern journalism. By giving us the opinions of the uneducated, it keeps us in touch with the ignorance of the community.
Children start out loving their parents, but as they grow older and discover their parents are human, they become judgmental. And sometimes, when they mature, they forgive their parents, especially when they discover they are also human.
There is only good art and mediocre art.
Like all people who try to exhaust a subject, he exhausted his listeners.
I can stand brute force, but brute reason is quite unbearable.
Nothing is good in moderation. You cannot know good in anything until you have torn the heart out of it by excess.
The Americans are identical to the British in all respects except, of course, language.
The reason we are so pleased to find other people's secrets is that it distracts public attention from our own.
Life is too short to be in a hurry.
The sin was mine; I did not understand. So now is music prisoned in her cave, Save where some ebbing desultory wave Frets with its restless whirls this meagre strand...
Is it thy will that I should wax and wane,<br />Barter my cloth of gold for hodden grey,<br />And at thy pleasure weave that web of pain<br />Whose brightest threads are each a wasted day?
Behind joy and laughter there may be a temperament, coarse, hard and callous. But behind sorrow there is always sorrow. Pain, unlike pleasure, wears no mask. ... For this reason there is no truth comparable to sorrow. There are times when sorrow seems to me to be the only truth. Other things may be illusions of the eye or the appetite, made to blind the one and cloy the other, but out of sorrow have the worlds been built, and at the birth of a child or a star there is pain.
But what of life whose bitter hungry sea Flows at our heels, and gloom of sunless night Covers the days which never more return? Ambition, love and all the thoughts that burn We lose too soon, and only find delight In withered husks of some dead memory.
Prosperity, pleasure and success, may be rough of grain and common in fibre, but sorrow is the most sensitive of all created things. There is nothing that stirs in the whole world of thought to which sorrow does not vibrate in terrible and exquisite pulsation. The thin beaten-out leaf of tremulous gold that chronicles the direction of forces the eye cannot see is in comparison coarse. It is a wound that bleeds when any hand but that of love touches it, and even then must bleed again, though not in pain.
Every impulse we strangle will only poison us.
I must say to myself that I ruined myself, and that nobody great or small can be ruined except by his own hand. I am quite ready to say so. ... Terrible as was what the world did to me, what I did to myself was far more terrible still.
The liar at any rate recognizes that recreation, not instruction, is the aim of conversation, and is a far more civilized being than the blockhead who loudly expresses his disbelief in a story which is told simply for the amusement of the company.
One should not be too severe on English novels; they are the only relaxation of the intellectually unemployed.
As one reads history, not in the expurgated editions written for schoolboys and passmen, but in the original authorities of each time, one is absolutely sickened, not by the crimes that the wicked have committed, but by the punishments that the good have inflicted; and a community is infinitely more brutalised by the habitual employment of punishment than it is by the occasional occurrence of crime.
Oh, don't cough, Ernest. When one is dictating one should speak fluently and not cough. Besides, I don't know how to spell a cough.
every portrait that is painted with feeling is a portrait of the artist, not of the sitter. The sitter is merely the accident, the occasion. It is not he who is revealed by the painter; it is rather the painter who, on the coloured canvas, reveals himself.
What is a cynic? A man who knows the price of everything and the value of nothing. And a sentimentalist, my dear Darlington, is a man who sees an absurd value in everything, and doesn't know the market place of any single thing.