Oct 16, 1854 - Nov 30, 1900
was an Irish writer and poet
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Sometimes, the unnecessary is necessary.
The birds that were singing in the dew-drenched garden seemed to be telling the flowers about her.
I am sick to death of cleverness. Everybody is clever nowadays. You can't go anywhere without meeting clever people. The thing has become an absolute public nuisance. I wish to goodness we had a few fools left. ALGERNON: We have. JACK: I should extremely like to meet them. What do they talk about? ALGERNON: The fools? Oh! about the clever people of course. JACK: What fools.
Hesitation of any kind is a sign of mental decay in the young, of physical weakness in the old.
ever since I met you I have admired you more than any girl...I have ever met since...I met you.
You have never been poor, and never known what ambition is.
You have always told me it was Ernest. I have introduced you to every one as Ernest. You answer to the name of Ernest. You look as if your name was Ernest. You are the most earnest-looking person I ever saw in my life. It is perfectly absurd your saying that your name isn't Ernest.
What a silly thing love is!' said the student as he walked away. 'It is not half as useful as logic, for it does not prove anything, and it is always telling one of things that are not going to happen, and making one believe things that are not true. In fact, it is quite unpractical, and, as in this age to be practical is everything, I shall go back to philosophy and study metaphysics.' So he returned to his room and pulled out a great dusty book, and began to read.
A live unexamined isn't worth living. I will add, \'A life unlived isn't worth examining.
We are the zanies of sorrow. We are clowns whose hearts are broken.
We are specially designed to appeal to the sense of humour.
There is no country in the world where machinery is so lovely as in America. It was not until I had seen the water-works at Chicago that I realised the wonders of machinery; the rise and fall of the steel rods, the symmetrical motion of the great wheels is the most beautiful rhythmic thing I have ever seen.
The only link between Literature and the Drama left to us in England at the present moment is the bill of the play.
The English are always degrading truths into facts. When a truth becomes a fact it loses all its intellectual value.
Science can never grapple with the irrational. That is why it has no future before it, in this world.
Just as the orator marks his good things by a dramatic pause, or by raising and lowering his voice, or by gesture, so the writer marks his epigrams with italics, setting the little gem, so to speak, like a jeweler.
I made art a philosophy, and philosophy an art.
I am Irish by race but the English have condemned me to talk the language of Shakespeare.
Fashion rests upon folly. Art rests upon law. Fashion is ephemeral. Art is eternal. Indeed what is a fashion really? A fashion is merely a form of ugliness so absolutely unbearable that we have to alter it every six months! It is quite clear that were it beautiful and rational we would not alter anything that combined those two rare qualities. And wherever dress has been so, it has remained unchanged in law and principle for many hundred years.
A woman's life revolves in curves of emotions. It is upon lines of intellect that a man's life progresses.
History is a lie commonly agreed upon.
There were times when it appeared to Dorian Gray that the whole of history was merely the record of his own life, not as he had lived it in act and circumstand, but as his imagination had created it for him, as it had been in his brain and in his passions. He felt that he had known them all, those strange terrible figures that had passed across the stage of the world and made sin so marvellous, and evil so full of subtlety. It seemed to him that in some mysterious way their lives had been his own.
A man is called affected, nowadays, if he dresses as he likes to dress. But in doing that he is acting in a perfectly natural manner. Affectation, in such matters, consists in dressing according to the views of one's neighbour, whose views, as they are the views of the majority, will probably be extremely stupid.
Oh, how I vainly wished to the bearded man in the sky that I was Neapolitan. Why? So I could bring in a fine Neapolitan pest control to help with Queensberry's problem before it gets out of hand.
You can fake intelligence, but you can't fake wit.
All women are rebels.
A man whose desire is to be something separate from himself, to be a member of Parliament, or a successful grocer, or a prominent solicitor, or a judge, or something equally tedious, invariably succeeds in being what he wants to be. That is his punishment. Those who want a mask have to wear it.
Every single work of art is the fulfillment of a prophecy; for every work of art is the conversion of an idea into an image.
Truth in art is the unity of a thing with itself: the outward rendered expressive of the inward: the soul made incarnate: the body instinct with spirit. For this reason there is no truth comparable to sorrow.
Society takes upon itself the right to inflict appalling punishment on the individual, but it also has the supreme vice of shallowness, and fails to realize what it has done. When the man's punishment is over, it leaves him to himself; that is to say, it abandons him at the very moment when its highest duty towards him begins.