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Quotes about work
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When we had the infamous mealtime scenes, food fights would inevitably develop. (Crowe Russell)
I really wanted to work with Tim, ... I've been a big fan of Tim's for a long time. (Crowe Russell)
You had to do a lot of work that you didn't want to do; that's true-alot of crummy pictures. (Crowe Russell)
I was dying to do that, to work with Jodie again. (Crowe Russell)
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All I will say is that we work very well together. (Crowe Russell)
It was such a thrill to work with Jason. I want to do it many, many, many times again. He's so modest and silly. I was just following him. We always talk about how it's so important to be in the moment, and I just feel like I didn't have a choice because what he was doing was so compelling and surprising. He kept me really engaged. (Crowe Russell)
One of the difficulties of not knowing for so long whether we were doing a fifth season or not was that we weren't really allowed to go out shopping for work. (Crowe Russell)
But to do this kind of work, you have to be very strong, otherwise you lose your personality, your identity. (Crowe Russell)
I got headshots, an agent and started auditioning, but things didn't get really started until I started working with my manager. (Crowe Russell)
There's no limit to the amount of prayer needed here. Operation Blessing is going to be here for a very long time. They are in here for the long run. (Crowe Russell)
I've never really worked on them. Just once in a while one hits me and makes me laugh. My Al Gore was sort of like a gay Gomer Pyle. (Crowe Russell)
When I first came to LA, I found it interesting. I read the trades and I could enjoy following the projects. Now I feel more like, Just get me the script. (Crowe Russell)
Right now, I'd like to just continue on a series where I am doing good work with a balance of comedy and drama. That and do occasional features and movies. (Crowe Russell)
I do like to work with young directors because it's such a difficult business that I think after directors have been around a while sometimes, not always, but sometimes their passion gets siphoned off because they get hurt. (Crowe Russell)
They pulled Resurrection out of the theatres, so it was running in New York and I was nominated for the Oscar and there was no ad in the newspapers to say it was running. So it was literally killed. (Crowe Russell)
If you're interested or like it, but could be just as happy living in a regular town, having a regular job, maybe doing little theatre, you're better off and you'll be a happier person. This is too gut-wrenching and heartbreaking. (Crowe Russell)
In my teens or twenties I wanted to do Blanche. Now I'm over that. Those roles are not attracting me now. Which is odd, because that's what most every actress would want to go do. (Crowe Russell)
I'm thrilled with (the way it turned out). I don't see how I could do better work. I got all the content in there that I wanted. I think it worked out real well. I think it's an extreme amount of information. I would challenge someone to put that much information in an enhanced CD. (Crowe Russell)
I'm lucky I don't do the kind of work where the main thing is that you're the girl and you look gorgeous. I don't look like that. I'm a funny-looking. (Crowe Russell)
I think I've matured to a great extent. I think that I want different things now. That it's not about the celebrity status that you receive because you're doing the next hot movie. It's about doing good work. (Crowe Russell)
Had that casting director not called me back, had those producers not liked me or those directors... everything happened for a reason. (Crowe Russell)
Every time I work with a European director, I find they hire the person that captures the spirit of the role. Americans tend to hire the best face. The person that looks more like the role, whether they can perform the role or not is a bonus. (Crowe Russell)
He's very economical in his shooting. He didn't shoot 18 set-ups per scene, he shot only what he was going to cut and use. (Crowe Russell)
The work is getting the work. (Crowe Russell)
I just feel like it's got to be about the process and about the doing of it, rather than be about how it's going to be perceived. It's got to be about what it feels like at the time of actually making that project, because just a few times I've worked on projects because I think that it will seem great, or it will be a really good career move or about perception and I haven't had a good time. (Crowe Russell)
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