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I like working with an actor who doesn't do the oneupmanship. One who has no trick and gives a true, honest performance. (Csokas Marton)
I would love to do another series because I love the grind and hours. I would love it to be a Hispanic dramatic cop, but if not, a comedy sitcom. (Csokas Marton)
If I was a plumber, it would be easy to get a job. But I'm an actor, and to hurt me, they didn't give me work. They created a false image of me as a bad boy. (Csokas Marton)
There was pleasure doing Make a Wish Foundation where they'd bring a kid and I'd put them on the bike and we'd take off. (Csokas Marton)
We didn't do the big heavy stunts, but we did ride the bikes, and I have the broken bones and scars to prove it. (Csokas Marton)
I got a job immediately after leaving high school; I was lucky - three dollars a week and all I could eat, working on a vegetable truck. (Csokas Marton)
Even radar was unheard of when I first went into the service. Then suddenly, they started putting bedsprings up on the tops of ships. (Csokas Marton)
I just arrive, they hand me a script and say, do it. (Csokas Marton)
I'm just into making quality stuff if I can, with interesting people and good scripts. But it's very important that it's about something and that it says something. Otherwise, I don't know what the point is, really. (Csokas Marton)
Once you've agreed the script, you must be willing to go as far as it needs to go on set. (Csokas Marton)
What amuses me most about Skip is he often represents everyone in the deal, ... And, he does a really good job for everybody ? I've always walked away from every negotiation and thought, 'Jesus, how did he get that?' (Csokas Marton)
[He's probably best known for his work as a gay artist who lived next door to a cranky, obsessive-compulsive writer played by Jack Nicholson in 1997's] As Good As It Gets. ... Sabrina. (Csokas Marton)
We hope to get started this summer. I can't tell you anything about it. (Csokas Marton)
I mean, you work and you try and find the work that suits you the best and you enjoy the most. (Csokas Marton)
Well unfortunately I didn't work with Andre much. But rap is a strong presence in the culture and anyone is going to grateful for its appearance, grateful for any kind of music that has the kind of effect that rap has had on us all. (Csokas Marton)
There was this kind of industry-manufactured fear and risk factor that was surrounding the script. (Csokas Marton)
How do people find the time to work? (Csokas Marton)
To drink a cup of tea and put two sugars in and open a door and answer a telephone becomes incredibly time-consuming, ... Every scene for me is about, where am I going to park the cane? When I pick this up, where am I going to put the cane? That's a physical constraint. (Csokas Marton)
I still hope I've got a lot of life left on stage and making films. (Csokas Marton)
I don't really prepare for each role the same way. (Csokas Marton)
I was in bed, and I got the script and I was reading it, and I said, 'Man, this is really good, there's no way I'll get hired for this! (Csokas Marton)
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