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Quotes about work
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I could never hold a job for more than three months, which works out well because that's how long a movie shoots. (Chow Stephen)
I was working at the store on the Sony studios in Culver City. And I was literally holding a shirt when they came in and told me I'd got the part! It just shows dreams do come true. (Chow Stephen)
Then I was working in a store in Newark, New Jersey, and I saw an actor in person, and I got so excited. My whole day changed. That's when I decided to challenge myself to make my dreams become a reality. (Chow Stephen)
I would definitely stay in the business, be behind the camera maybe. (Chow Stephen)
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I wouldn't want to direct. I see how much work it is. (Chow Stephen)
I'm sure I'm going to have to, because I don't want to do something that's so controlled by the studio, so Blockbustery, fluffy teen comedies. (Chow Stephen)
I'm trying to go through the whole process of high school to college to work. (Chow Stephen)
When I was at the Planet Hollywood opening in Vancouver, 15,000 people were there and I had to walk down this block-long red carpet while all these girls were yelling and screaming with their pens and paper. It was cool, so what can I say? (Chow Stephen)
I personally don't think anybody should be allowed to write a screenplay UNTIL they are over 40. It used to be don't trust anyone over 30; now it is don't hire anyone over 30. I wish I were joking. (Chow Stephen)
From Fred Astaire I learned discipline and hard work. (Chow Stephen)
I enjoy writing nonfiction the most because one is limited only by one's imagination. Autobiography is tough. (Chow Stephen)
Months of working on The A-Team had not made me happier or more contented. It has challenged my ability to remain so. The hours of waiting, talking and thinking on the set needed to be balanced. (Chow Stephen)
I never get involved with the ladies I work with. (Chow Stephen)
For many years, I had difficulty trying to identify myself in Hong Kong. (Chow Stephen)
For me, shooting, editing, and scoring rely on rhythm. (Chow Stephen)
Now I can understand everyone's perspective: from the perspective of the distributor, investor, actor, producer, and writer. I know how to handle all of them. (Chow Stephen)
The action just comes natural. I could do that with my eyes closed. (Chow Stephen)
The only thing that I knew was that they were going to screen my film in the Boston Museum of Fine Arts and then I jumped on the plane. (Chow Stephen)
I've been blessed with some lovely scripts and a character that people could truly identify with. It's one of those surprises in life that makes you think, 'God was smiling on me that particular day. (Chow Stephen)
This kind of speculation is healthy. It's like H.G. Wells - if you go back and look at his work, he is remarkably accurate in everything he predicted. (Chow Stephen)
I was grateful for ['The Practice,'] but it was a long time and I just wasn't available [for anything else]; I was always working (Chow Stephen)
That's a new thing for me, to have my costar in a scene turn to me and tell me they love me. In "48 HRS.", Nick Nolte never turned to me and went "I love you Ed"! (Chow Stephen)
I talk to Dom all the time, but he still won't tell me any of the good plot twists for next season's 'Lost.' (Chow Stephen)
I actually got a crush on Anne Heche when I worked with her on Huckleberry Finn. It didn't work out. (Chow Stephen)
Every week we have 300 people who line up to see us live. Part of the kick of a sitcom is it is in front of an audience. It is just a small audience every week. This time the audience will be America. While they may not see a lot of screw-ups and they won't see us swear, they will get the feeling that the audience gets every week of these four characters doing it for real. (Chow Stephen)
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