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“That's just a gimmick. It started because I didn't like wearing movie makeup that melted in the sun, but I've always done it as a joke. I believe that you'll find out in the next few years that the sun is good for you. You should be out in it a couple of hours a day.” (Allard J)
I was really scared of doing a movie because it was my first test of branching off. (Allard J)
I've never read for a movie, I've always been given them. (Allard J)
If it sells, it sells. If it doesn't sell, I'll go make a movie. (Allard J)
It's more scary but a little more fulfilling than music to me because music is audio excitement, but film is more dramatic. (Allard J)
The next day, I got a phone call from him and he told me to come and read for a movie called New Jack City. So I went over there and they told me I was gonna wear dreads and play a cop. (Allard J)
When I make records I have full control of everything and I know how it sounds before it comes out, with films it's outta my hands. (Allard J)
But, Tarantino has seen all of my movies. He's seen my good stuff, he's seen my bad stuff, he's seen the ones I directed, he's read my autobiography. There's an awful lot of things he knows about me, all of which I think had something to do with his casting. (Allard J)
I didn't leave, I mean I did the TV series for three years, and when that was done I walked, and then there was a period of time where I was making my own movies and financing them myself, and I needed money, I had to work, you know, and I started doing little movies cause they were there. (Allard J)
I like Bill a lot. As Bill is presented, I mean you don't ever see Bill blow her head off? You know? And I think what Quentin has done is he created a monster. (Allard J)
I think there's also something that Quentin wants to tell us - they are comic book characters, the people in Kill Bill, but that they are sort of superheroes, or super villains, or super something. They are beyond the problems of humanity, beyond the day-to-day stuff. (Allard J)
I was involved in a web cartoon of Kung Fu with WB a few years back. (Allard J)
I wasn't prepared for the quality of the second movie. I don't mean the quality like how good it was, but the kind of movie; that it's so emotional. When you're dealing with that stuff with the kid, I've seen girls cry. You don't cry in a Tarantino movie. It turns out it's a chick flick. (Allard J)
My big fight is not in the movie and I don't understand that decision but I know he's right about it, whatever it is. Quentin did not hire me because I'm a kung fu expert; he hired me because he liked to listen to me talk. (Allard J)
Well I would never say to anybody that Warren Beatty got fired, but uh, I think he and Quentin fell out of love, and I think Warren told Quentin to hire me for the film. (Allard J)
“Girl With a Pearl Earring.” (Allard J)
“It's a required part of your film history to know who Woody is. His movies are so wonderful, and not just funny but so insightful about human behavior.” (Allard J)
“Woody would be very happy if I wore the kind of dress I wore in the movie, white and linen, but I don't think that would go down very well in the Golden Globes.” (Allard J)
I don't intend to carry a film for a long term. (Allard J)
I'd been on many film sets when I was younger, as an extra, so I knew the differences between film and television just from observing. I was surprised at how much fun it was. I loved it. (Allard J)
I'd enjoy doing an action film based purely on how much fun it was to do fight scenes. (Allard J)
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