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“Howard Stern Radio Show.” (Allard J)
“How about 'Pretty Woman'?” (Allard J)
“To have her come over to me and say, 'I thought you were great in that movie,' I want to say, 'Well, I just want to drool all over you. Can I?',” (Allard J)
“[Only one film 1990's] Pretty Woman, ... suggestion of condom use, which was the only reference to any form of birth control.” (Allard J)
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“When you make a film, you have to follow filmmaking rules. Like, a soundtrack... can get in the way of the serenity of the game.” (Allard J)
“I use to watch like maybe three or four movies, five days out of the week. I was a movie buff, but I really didn't know what it was like behind the scenes, or the whole political process of it.” (Allard J)
“I would like to see a fierce Fantasia mixed with Blade Runner, Lord of the Rings, and Star Wars all in one. That's the kind of movies I want to make.” (Allard J)
“I knew nothing about the independent film industry. I didn't know much about the industry itself. All I knew was how to watch movies, how to enjoy them, how to hate them, how not to like them.” (Allard J)
“The best part of making the movies... learning from the pros themselves.” (Allard J)
“I wanted to write a film and I thought the best way to do so was to train myself within the field... It was just like a cycle of people trying to make it, not making it, doing extra work, and it was pretty depressing in the end.” (Allard J)
“The only place that I'd be worried about being typecast is the independent film world.” (Allard J)
“I was in Jersey when the whole World Trade Center thing happened and I felt powerless. So, I went to Hawaii and did a surf movie. It's kind of fluffy.” (Allard J)
“I also love the makers of South Park, because they're political, strong, and they're making all of these comments that would get you shot for if you did it in a drama.” (Allard J)
“I think empathy is a beautiful thing. I think that's the power of film though. We have one of the most powerful, one of the greatest communicative tools known to man.” (Allard J)
I know that's how I've gotten here today so it hasn't led me to say strategically that I'm not going to do any more studio films. But I also think there's more creativity in independent filmmaking. (Allard J)
I never sat down and said, Oh, I want to be in the movies. (Allard J)
The American Pie movies were fun to work on, I mean, they're comedy. We had a great time making those movies. (Allard J)
The first film I worked on was Gregg Araki's Nowhere. (Allard J)
The way it has worked out is that those films just happen to be independent and not studio. (Allard J)
Yeah, I think so. I mean, everyone was so excited about the film and really wanted to be there and work their hardest on it, and I ended up playing a lot of poker with Nick's hair and makeup. (Allard J)
I wouldn't mind making some good movies. I don't know why you have to be 25 to star in a movie. Or 30. (Allard J)
It's OK for us to have all these movies where people's heads are cut off, and then you can't see a movie based on classic literature? (Allard J)
I don't buy into any of that hogwash. They put that out to sell tickets. It's just a classic horror movie, with the Greek drama formula of good versus evil, and lots of fear. (Allard J)
I liked the fact that Lois was one person with Clark and another with Superman. I think that, as women, we do that a lot when we fall in love. (Allard J)
I love horror movies because they're really fun. They tap into those wonderful primal emotions. (Allard J)
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