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I would have played any role in this movie just to work with him, ... He's got the greatest energy, and it's totally infectious. (Allard J)
If you see me or Heath (Ledger) in a movie that you don’t like it’s because we made a bad decision, ... There’s no hiding behind, ‘Well, I needed the money. I needed to pay my rent.’ (Allard J)
Well, we have similar kinds of ideas about being the lead in a movie, and there are certain things we don't want to be. (Allard J)
Now in our movie .. (Allard J)
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The fact that Terry was directing the movie sold it to me (Allard J)
The first time I went to meet Terry, I said, 'Why isn't Johnny Depp doing this movie? (Allard J)
This Is Our Youth. (Allard J)
But it's rare, the three out of three. I think for me, 'The Talented Mr. Ripley' had a great script, a great director, and a great role (Allard J)
I agree with anything and everything Richard Zanuck says, because that guy is the coolest guy that I've ever met in the business. After working with him, I feel I'm part of the movie business. (Allard J)
I remember being in my kitchen, watching the war in Iraq, and not being fazed by it at all. You've seen worse in films. (Allard J)
I wasn't a fan of either one of those movies. I certainly have respect for them and I thought Planet of the Apes was amazing and said a lot of things, but it's not something that I could really connect with. (Allard J)
Right where i left you... Not where i left you? (Allard J)
I've done movies with a sword before. But I haven't really been given the full responsibility of something like a Ridley Scott film. (Allard J)
Movies like that aren't about the visual effects and explosions, ... They're human stories about family, about life, about death. (Allard J)
For once I just wanted to be an average, normal guy, which is really what I am. It's like, very vulnerable. I saw the film and I was so naked. I'm just completely there. It's like there's nothing to hide behind, no mask. (Allard J)
Wow, you´re right: ´Lord of the Rings´ does look better from far, far away. You too, Susan. (Allard J)
We're all in Cameron Crowe's new film, 'Elizabethtown,' (Allard J)
Elizabethtown. (Allard J)
It was really good not riding a horse and having a sword for once. (Allard J)
Kingdom of Heaven. (Allard J)
Kirsten is a really positive person. In the film, she brings my character back to life. She's perfectly cast because she is that light. (Allard J)
They know there's a gap, and if they're interested in finding out more about why they aren't more connected with their parents, they should see the movie. (Allard J)
For some reason, his pool-hall education gets far more ink than his master's degree. And most important, he's part of a hardworking showbiz tradition that doesn't make films, it makes ''pictures. (Allard J)
[Is a fiction film particularly well equipped to do the kind of work we usually associate with investigative or advocacy journalism?] No, I don't think it can be, especially if it has to serve a dramatic narrative, ... Everyone asks questions about the polemical side of the film, but for me it's also about a relationship between two people, their openness with each other, or their decision as a couple not to share, thinking they're respecting each other's privacy. People don't always tell each other what they need to know—not because they've got anything to hide, like a love affair, but because they don't want to invade. Our ability to be honest with each other, to say, I want this or I don't want that, it's all a distant cousin of what happens on the level of social policy, and it's who we are, isn't it? Politics starts in the bedroom. (Allard J)
The Constant Gardener. (Allard J)
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