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I kind of wanted to give him that James Evans nobility, ... With the exception of 'The Cosby Show,' every black father I see on TV, they're not really masculine. They're like these theater-type guys -- not gay, not straight, just theater. (Allard J)
They came out very prepared and we missed lot of tackles. We have to start on Monday and watch the film. I kept asking what was happening. They just out-competed us. (Allard J)
I want to do movies that mean something, that make people laugh and cry -- great movies, period-piece movies -- and work with the best people out there, who bring the best out of me. (Allard J)
What!? You tell people that, I won't get no more black movies. (Allard J)
True Romance. (Allard J)
Sweet Bird of Youth. (Allard J)
I wouldn't describe [the film] as a call to action. (Allard J)
The have taken the lines out and made me really handsome. (Allard J)
Any horror element is as much psychological as special effects. (Allard J)
I don't like to watch playback. But being on the set, watching the way the camera is being moved and the way the light is being used, you do get an idea of it. (Allard J)
I don't see a lot of films. I'm quite choosy, but there's certain films that stick out. (Allard J)
I think film and television are really a director's medium, whereas theatre is the actor's medium. (Allard J)
The film is about Joe discovering who his mother and father are and his relationship with them, and the identity crisis he goes through once he finds out who his parents are. (Allard J)
There are films I saw as a younger man, which I think always tend to form your taste. (Allard J)
What goes down on film is different to what you see with the naked eye. (Allard J)
It's all a learning process for me. This is only the second film that I've starred in and I'm learning every time how to talk to people, how to get my point across without being too strong, but making sense -- all of the things that you learn as an actor coming up in the business. There's different ways to approach different people. I think as a lead in the film you have to be smart in the way you do that. (Allard J)
[LOS ANGELES -] I'm in the movies that they dump, ... Last year we came out on the worst date, with 'Paparazzi.' This year, we're like a week away from the worst date. We'll see. What can you do? (Allard J)
It's all a learning process for me, ... This is only the second film that I've starred in and I'm learning every time how to talk to people, how to get my point across without being too strong, but making sense - all of the things that you learn as an actor coming up in the business. There's different ways to approach different people. I think as a lead in the film you have to be smart in the way you do that. (Allard J)
[This] is a whole different medium than I've seen in 'Alien,' 'Pitch Black,' you name all the sci-fi films that have come out; this is a whole different thing. It's on our own planet, so you can relate to some of what's going on, and I think the smart thing about the movie is that it relates to the average person. (Allard J)
At our first costume fittings ,we all realized they were very tight and form-fitting, so we knew we'd all have to start working out. (Allard J)
The location managers for Underworld 2 were scouting our tank while we were using it and were scheduled to move in after we finished. (Allard J)
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