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Quotes about acting and actors

  • Acting deals with very delicate emotions. It is not putting up a mask. Each time an actor acts he does not hide; he exposes himself. (Coleman Dabney)
  • I have to act to live. (Coleman Dabney)
  • The actor becomes an emotional athlete. The process is painful -- my personal life suffers. (Coleman Dabney)
  • She runs the gamut of emotions from A to B. (Coleman Dabney)
  • Ah just act the way ah feel. (Coleman Dabney)
  • I must say that acting was good training for the political life that lay ahead of us. (Coleman Dabney)
  • A lot of what acting is paying attention. (Coleman Dabney)
  • Acting is not being emotional, but being able to express emotion. (Coleman Dabney)
  • There are no small parts. Only small actors. (Coleman Dabney)
  • I was planning to go into architecture. But when I arrived, architecture was filled up. Acting was right next to it, so I signed up for acting instead. [On his college registration experience] (Coleman Dabney)
  • Oh! it offends me to the soul to hear a robust periwig-pated fellow, tear a passion to tatters, to very rags, to split the ears of the groundlings. (Coleman Dabney)
  • Speak the speech, I pray you, as I pronounced it to you -- tripping on the tongue; but if you mouth it, as many of your players do, I had as Leif the town-crier spoke my lines. Nor do not saw the air too much with your hand, thus, but use all gently; for in the very torrent, tempest, and as I may say, the whirlwind of your passion, you must acquire and beget a temperance that may give it smoothness. (Coleman Dabney)
  • Why, except as a means of livelihood, a man should desire to act on the stage when he has the whole world to act in, is not clear to me. (Coleman Dabney)
  • An actress must never lose her ego -- without it she has no talent. (Coleman Dabney)
  • An actor who knows his business ought to be able to make the London telephone directory sound enthralling. (Coleman Dabney)
  • I think I am a much better actor than I have allowed myself to be. (Coleman Dabney)
  • A true priest is aware of the presence of the altar during every moment that he is conducting a service. It is exactly the same way that a true artist should react to the stage all the time he is in the theater. An actor who is incapable of this feeling will never be a true artist. (Coleman Dabney)
  • Unless the theatre can ennoble you, make you a better person, you should flee from it. (Coleman Dabney)
  • The main factor in any form of creativeness is the life of a human spirit, that of the actor and his part, their joint feelings and subconscious creation. (Coleman Dabney)
  • Remember: there are no small parts, only small actors. (Coleman Dabney)
  • Remember this practical piece of advice: Never come into the theatre with mud on your feet. Leave your dust and dirt outside. Check your little worries, squabbles, petty difficulties with your outside clothing -- all the things that ruin your life and draw your attention away from your art -- at the door. (Coleman Dabney)
  • Do not try to push your way through to the front ranks of your profession; do not run after distinctions and rewards; but do your utmost to find an entry into the world of beauty. (Coleman Dabney)
  • Imagination, industry, and intelligence -- the three I s -- are all indispensable to the actress, but of these three the greatest is, without doubt, imagination. (Coleman Dabney)
  • There were many times my pants were so thin I could sit on a dime and tell if it was heads or tails. (Coleman Dabney)
  • If a farmer fills his barn with grain, he gets mice. If he leaves it empty, he gets actors. (Coleman Dabney)
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