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There are certain things that I understand about myself and certain perceptions that lend itself to the business of acting. (Bull Deborah)
I was heartbroken at the end of that, because I thought that was going to be it for me. Somehow I had worked my way into this movie and it had exposed me to people and I had a chance to be an actor, which I loved, but I didn't think it was ever going to happen again. (Bull Deborah)
I made a bargain with myself. If I hadn't done it by 35, I'd walk away. Hamlet is at a crisis at this point in his life. This is a young man's play. (Bull Deborah)
The best actors, I think, have a childlike quality. They have a sort of an ability to lose themselves. There's still some silliness. (Bull Deborah)
The long version of the play is actually an easier version to follow. In all of the cut versions the intense speeches are cut too close together for the audience and the actors. (Bull Deborah)
There is some mysterious thing that goes on whereby, in the process of playing Shakespeare continuously, actors are surprised by the way the language actually acts on them. (Bull Deborah)
I wanted very much to do Traffic and at one point it looked like I was going to work on it. And then, of course, Catherine Zeta-Jones had her relationship with Michael Douglas and it suddenly didn't happen. (Bull Deborah)
I'm only interested in being a good actor and in being remembered for my best films, not for the way I look. But it seems inevitable in this line of work that I have to care about the way I look without getting obsessed about it. (Bull Deborah)
It would not have been effective if I'd played John Kennedy in Thirteen Days. It would have been a splashy little turn, but as a producer I can't just serve myself because it itches my acting bone. (Bull Deborah)
I do miss [kissing Meloni], ... I'll be honest with you, I really do miss it. He's such a good actor. But you know what, ka-ching. I'd have to do this job for 30 years before I made the kind of money he's making on NBC. (Bull Deborah)
It was an interesting way to come across in my first big role. To work with Robert DeNiro was very exciting. (Bull Deborah)
We were big Saturday Night Live and Eddie Murphy fans. (Bull Deborah)
Acting has been very useful to me. (Bull Deborah)
Having done lifestyle books and being an actress, I suppose it made sense to bring the two together. I think that's what happened. (Bull Deborah)
But when you dub in France you do it with the other actors, so you're in the room with them, which is quite wonderful. And sometimes it takes on a different life of its own. (Bull Deborah)
I think everyone looks for that role where it's a stretch, and you can be kind of a bit edgier and push the envelope a little bit, (Bull Deborah)
Acting is what I do. It's not what I solely define myself as. (Bull Deborah)
The thing you do is escape from them by immersing myself in the character you're playing. (Bull Deborah)
Five years ago I just felt I wanted to do other things. Over the years I've always taken periods of time away from acting. (Bull Deborah)
We all knew Mickey Dolenz and myself being the actors, and Peter and Mike being the musicians. We did end up to be 4 musicians and 4 actors. (Bull Deborah)
I'm always glad to be offered roles, but wouldn't take any role as this could do you more harm than good, but I've been at what they call 'on the top' as far as being known for twenty years. (Bull Deborah)
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